Para ver e ouvir: o impacto das trilhas no sucesso de um desfile

20/03/2012

por | Cultura Pop

Momento final do desfile de Inverno 2012 de Rick Owens ©Reprodução

Música e moda são eternos namorados, não é novidade. Quantos ícones da música não renderam toneladas de inspiração para designers e revistas (Mick Jagger, Madonna, Cat Power, Amy Winehouse, Bowie, etc)? Ou quantos artistas não ficaram famosos após serem “adotados” por pessoas influentes da moda (Lana Del Rey, Florence Welsh, The Kills, Lady Gaga, Pete Doherty…)?

A trilha de desfile é união perfeita desses dois universos e pode fazer maravilhas para a apresentação de uma coleção. O contrário também acontece. É muito difícil você não se deixar levar por uma música. E quando isso acontece, você acaba vendo o desfile pelo filtro do que aquela canção provoca em você. Emoção, lembranças, diversão, saudade, beleza… Por isso é uma escolha tão importante e fundamental, porque ela ajuda no impacto que a marca quer causar com aquela coleção.

A trilha que marcou essa temporada foi, sem dúvida nenhuma, a de Rick Owens, que usou a música “Ima Read”, de Zebra Katz, para deixar a atmosfera de seu desfile ainda mais climática, estranha e misteriosa. Quase ninguém havia ouvido falar nesse artista até então, mas todos saíram da apresentação com o refrão da faixa na cabeça e, em poucos minutos, Zebra Katz já era um dos assuntos mais comentados nos twitters da moda. O site Fashionista fez uma reportagem engraçada, contando que “Ima Read” “é a música tocada no carro da ‘Bazaar’; o pessoal da ‘V Magazine’ sabe a letra inteira de cabeça e Tommy Ton disse que foi a melhor trilha de todos os tempos”. “Foi o ápice de como essa música poderia ter sido usada”, contou Zebra Katz ao “New York Times”.

Nova sensação: Ojay Morgan aka Zebra Katz ©Reprodução

O que significa Ima Read? “Reading” é um termo antigo usado pelas pessoas que praticam voguing (lembra da músida da Madonna?), que significa um insulto verbal sobre algo que não fica muito claro para os ouvintes comuns. Um bom “reader” pode dilacerar você com apenas uma frase, como Zebra faz em parceria com a rapper Njena Reddd Foxxx, causando sensações não muito agradáveis em quem ouve a música de primeira. A letra soa ainda mais forte com um som minimalista e repetitivo. Segundo o “NYT”, “Ima Read” foi gravada como um statement da cultura negra e também como um tributo ao documentário “Paris is Burning” (filmado no final dos anos 80, mostra a cultura de baile das comunidades negra, gay e transgender de Nova York, além de explorar temas como o racismo, a homofobia e a pobreza), mas, segundo o próprio cantor, “é preciso estudar e pesquisar para entender o que eu digo”. De qualquer forma, nada poderia cair tão bem no desfile igualmente forte e atmosférico de Rick Owens.

Leia alguns trechos abaixo:

Ima read that bitch

Ima school that bitch

I´m gonna take that bitch to college

I´m gonna give that bitch some knowledge

I´mma chop that bitch

I´mma slice that bitch

I don´t like that bitch

I´mma fight that bitch

I don´t like that bitch

Desfile Rick Owens Inverno 2012 em Paris:

Não foi a primeira vez que uma música ganhou vida após ser executada em uma passarela famosa. A irresistível versão que o Scissor Sisters fez para “Comfortably Numb”, do Pink Floyd, estourou após ter entrado na trilha da Balenciaga, na Primavera 2003. Foi também quando vimos uma das melhores misturas de luxo com o sportswear, especialmente o surfe, em uma passarela de Paris, certamente um dos pontos altos na carreira de Nicolas Ghesquière. O cover animado, leve e bonito, feito por uma banda até então desconhecida, casou perfeitamente com a coleção igualmente fresca da Balenciaga. A partir daí, a música invadiu as pistas, os iPods e as casas de show, e uma nova banda da cena underground de Nova York levou frescor ao esquema mainstream.

Os looks de neoprene da coleção de Primavera 2003 da Balenciaga ©Reprodução

Outro projeto que também foi “lançado” pela moda foi a dupla belga Vive la Fête, que tocou ao vivo no desfile de Outono 2002 da Chanel após Karl Lagerfeld ter se declarado fã número um da banda. O designer também já deu bastante espaço para as Chicks on Speed e Cat Power. Nos três exemplos vemos pessoas com um visual que tem bastante apelo para o público da moda. Mais uma vez, o astral de vanguarda do duo e sua música sexy tinham tudo a ver com a Chanel.

Desfile Chanel Inverno 2002 com apresentação de Vive la Fête:

Quem está por trás das trilhas da Balenciaga e da Chanel é o DJ e produtor francês Michel Gaubert, também o curador dos CDs da Colette, que sempre foram muito aguardados por conta das novidades que traziam em termos de música. Ele também já assinou trilhas para Rodarte, Fendi, Gucci, YSL, Jil Sander, entre muitos outros, e é uma espécie de padrinho de novos artistas e bandas.

Um DJ ou uma banda que entenda a alma da marca é peça fundamental para que um desfile seja bem sucedido. Uma música toca a alma com muito mais facilidade do que uma roupa. E quando essa janela é aberta, nós também podemos enxergar a roupa sob esse filtro da beleza e da emoção.

N.R: para escrever o texto, ouvi “Ima Read” umas cinco vezes e desde então, o refrão “ima read ima read ima read” fica batendo sozinho na minha cabeça…

Mixtape: ouça aqui as trilhas dos desfiles do segundo dia de Fashion Rio

12/01/2012

por | Gente

©Romeu Silveira

O segundo dia de Fashion Rio mostrou músicas como “Malibu Love Nest”, da banda Luna, e “Beautiful Ones”, do Suede, no desfile da 2nd Floor, que buscou inspiração em Robin Hood para seu Inverno 2012. Já Melk-Z Da, TNG e Coven apostaram em trilhas cheias de conceito para seus desfiles. Ouça abaixo:

Mixtape: ouça aqui as trilhas dos desfiles do primeiro dia de Fashion Rio

11/01/2012

por | Cultura Pop

©Romeu Silveira

Nem só de moda vive o Fashion Rio. Para ambientar as coleções do primeiro dia, as marcas capricharam na pesquisa musical para o Inverno 2012.

A Herchcovitch, que teve coleção inspirada na eferverscência cultural de NY dos anos 80, trouxe Talking Heads para a passarela com “Stop Making Sense (Girlfriend  Better)”. A Acquastudio trouxe o romantismo de Amy Winehouse. Já a estilista Alessa Migani buscou no novo disco de Gal Costa as músicas para a trilha de seu desfile (“Recanto Escuro”, “Neguinho” e “Miami Maculelê”). A Patachou trouxe “In The Grace of your Love”, do The Rapture, para embalar uma coleção inspirada no oriente.

Ouça abaixo, na íntegra, um mixtape com a trilha de todos os desfiles.

Três top DJs revelam processo de criação das melhores trilhas de desfile

24/06/2011

por | Cultura Pop, Moda

Durante o SPFW Verão 2012, o FFW mostrou diariamente as trilhas que embalaram os desfiles. Agora que a temporada de moda paulistana chegou ao fim, conversamos com três DJs que ditaram o ritmo das apresentações para descobrir o caminho criativo que eles percorrem para chegar ao resultado dos sons que ouvimos na passarela.

Samuel Cirnansck - SPFW Verao 2012©Chris von Ameln/Agência Fotosite

Jackson Araujo (fez a trilha de Samuel Cirnasck)

“Eu gosto de pensar sempre a trilha como se fosse a materialização das ideias do estilista, uma forma de dar voz aos modelos da passarela, como se estabelecesse um diálogo entre o estilista e o público. Normalmente eu não gosto de ver as roupas; como fui crítico de moda por seis anos, corro o risco de não gostar da roupa e a trilha pode ficar sem graça. Mas, quando eu me empolgo muito, eu peço pra ver. Geralmente, eu converso com o estilista e, dependendo do envolvimento  do stylist, ele também entra na roda. Faço sempre uma primeira leva, uma prévia, sem muita mixagem só para dar a ideia que quero passar, aí a gente vai ajustando. A trilha sonora é pano de fundo, não pode ser mais importante que a roupa nunca. Tem que saber lidar com a ansiedade de quem vai mostrar a roupa. A coisa mais importante é saber que você é coadjuvante e quem vai brilhar é o estilista”.

Alexandre Herchcovitch - SPFW Verao 2012©Chris von Ameln/Agência Fotosite

Max Blum (fez as trilhas de Alexandre Herchcovitch, Triton, Tufi Duek, entre outras)

“O processo é sempre pesquisa musical o tempo todo, agora que tem uns sete anos que eu trabalho com isso, já acostumei a ouvir as músicas com uma pontinha pensando que pode servir para alguma trilha, mesmo fora da temporada. Não pode ter preconceito musical, porque na hora, cada um vai pedir uma coisa. Tem que ter conhecimento de vários tipos de música e, para criar surpresa e trazer novidade, tem que ter uma abrangência do gosto. Converso com o estilista e vamos ajustando. Tem que ter uma certa humildade, porque o que importa ali é a roupa. Às vezes uma música muito simples funciona muito bem, o importante é funcionar como um todo. Tem que ter em mente que as pessoas estão ali para ver um desfile, a música não vai ser o mais importante”.

Lino Villaventura- SPFW Verao 2012©Chris von Ameln/Agência Fotosite

Felipe Venancio (fez a trilha de Lino Villaventura e Reserva)

“A grande verdade é que apenas 500 ou mil pessoas são convidadas para o desfile, e só ali elas escutam a música. É meio de mentirinha, no fim, aquilo vai virar, no máximo, um vídeo mudo na vitrine. Faço esse trabalho há uns 15 anos e vivi vários momentos, já cheguei a fazer 25 desfiles na mesma temporada, hoje faço menos, mas tento fazer com o mesmo drama de 25, se faço três. Hoje a música é mais acessível, então tento trabalhar com uma coisa mais autoral, mais especial, como na gravação que fiz com os músicos para a versão de “She’s a Rainbown”, dos Rolling Stones, para o Lino”.

#FFWsetlist: as 10 melhores trilhas de desfiles do SPFW!

16/06/2010

por | Cultura Pop

Rosa Cha - SPFW Verao 2011Stop Play Moon tocando ao vivo no desfile da Rosa Chá ©Agência Fotosite

Foi uma estação de trilhas pesadas e dramáticas. Max Blum, Edu Corelli, Kbça, Paulo Bega e muitos outros DJs trabalharam nos 39 desfiles do SPFW para ajudar dar som, ritmo e conceito às coleções de Verão 2011. Sem muitas tendências, no quesito música a temporada de moda tem espaço para quase todo gênero – rock, indie, eletrônico, batidões, regionalismos e música ao vivo. Mas o ponto em comum da estação é mesmo a dramaticidade, sempre dialogando com a cenografia e iluminação.

O portal FFW elegeu as 10 melhores trilhas do evento e você ouve tudo na íntegra abaixo – confira!

Alexandre Herchcovitch Masculino - Agressiva, a trilha assinada por Max Blum era instrumental e pesada, dando força à coleção inspirada em Charles Chaplin, Magritte e Laranja Mecânica.


Do Estilista
- Teatral, a apresentação de Marcelo Sommer teve faixas de Yann Tiersen e Jeremy Jay, num desfile climático e cheio de amigos. Assinada por Paulo Bega.

Neon – O clássico “Goodbye Stranger”, do Supertramp, ecoou lindamente pela piscina coberta que serviu de cenário para o desfile. Emocionante. Assinada por Boris Fratogiani.

Amapô – Assinada pelo DJ Kbça e pelo pesquisador musical Tutu Moraes, misturou maracatu e sons regionais com energia e fugindo de obviedades.

Maria Bonita – O DJ Dudu Dub elegeu Caetano Veloso e Dona Edith do Prado para a trilha da grife, cuja coleção era inspirada na fotógrafa Anna Mariani.

Simone Nunes – Assinada por Luís Depeche e Edu Corelli, a trilha foi uma das mais incríveis da temporada, ensolarada e com clima setentista.

Alexandre Herchcovitch Feminino – O compositor e pioneiro da eletrônica francês Jean-Michel Jarre foi o escolhido por Max Blum e Maurício Iânes para a trilha, climática, constante e instrumental.

Triton – Com Paris Hilton no casting e o DJ Max Blum nas “pickups”, a Triton usou as goodvibes do músico islandês Jónsi e seu último disco, “Go”, para aquecer a passarela no começo da apresentação. Funcionou.


Tufi Duek
– Remixada por Stuart Price, (um dos top colaboradores de Madonna), a trilha tinha trechos de Baba O’ Riley do “The Who” e foi assinada pela equipe da marca.

Rosa Chá – Trilha ao vivo tocada pela banda Stop Play Moon, de Geanine Marques, Paulo Bega e Ricardo Athayde. Fina, elegante e sincera.

Só no FFW: ouça as trilhas do último dia de SPFW!

15/06/2010

por | Cultura Pop

_CVA3891Fila final do desfile da Fernanda Yamamoto; trilha foi assinada por Paulo Beto © Agência Fotosite

Só no FFW você ouve, na íntegra, todas as trilhas de todos os desfiles do SPFW. Dê o play!

Glória Coelho – Assinada por Max Blum

Alexandre Herchcovitch Masculino – Assinada por Max Blum

Ronaldo Fraga

VROM – Assinada por Max Blum

Fernanda Yamamoto -Assinada por Paulo Beto

André Lima – Assinada por Luca Lauri

Só no FFW: ouça as trilhas completas do quinto dia de SPFW

14/06/2010

por | Cultura Pop

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Só no FFW: ouça as trilhas do quarto dia de SPFW na íntegra!

13/06/2010

por | Cultura Pop

_CVA8889Shirley Mallmann no desfile da Adriana Degreas; trilha foi assinada pelo DJ Zé Pedro © Agência Fotosite

Ouça nos players as trilhas completas do quarto dia da 29ª edição do São Paulo Fashion Week.

Reinaldo Lourenço – Assinada por Giancarlo Lourenço.

Jefferson Kulig – Trilha própria.

Animale – Assinada por Hugo Frasa.

Ana Salazar – Assinada por Filipe Forattini.

Adriana Degreas – Assinada por Zé Pedro.

Lino Villaventura – Assinada por Felipe Venâncio.

João Gordo e Fause Haten: as trilhas do terceiro dia de SPFW

12/06/2010

por | Cultura Pop

_CVA6660Entrada final no desfile da Movimento; trilha foi assinada por Meire Meiron © Agência Fotosite

Ouça abaixo, na íntegra e só no FFW, as trilhas sonora do terceiro dia de desfilas no SPFW.

Cavalera – João Gordo, do Ratos de Porão, discotecou ao vivo na apresentação de 15 anos da marca.

Maria Bonita - Dudu Dub elegeu Caetano Veloso e Dona Edith do Prado para a trilha da grife, cuja coleção era inspirada na fotógrafa Anna Mariani.

Wilson Ranieri – O estilista que tem a técnica de moulage como sobrenome, escolheu o calor da música soul para a rilha do seu desfile.

Movimento - Eletrônico all the way: a DJ Meire Meiron escolheu um batidão pesado para a grife de moda praia.

Simone Nunes - Assinada por Luís Depeche e Edu Corelli, a trilha foi uma das mais incríveis da temporada, ensolarada e com clima setentista.

Samuel Cirnansck – O DJ e produtor musical Jackson Araújo dividiu a trilha em dois momentos: fofo na primeira metade, e enérgico na segunda, numa coleção inspirada em Halloween.

FH por Fause Haten – Fause desafiou o bom-gosto e os caretas, cantando, ao vivo e com sua banda no próprio desfile. Um pout-pourri que incluiu até Stayin’ Alive dos Bee Gees, no final. Corajoso, para dizer o mínimo.

Jónsi e Jean-Michel Jarre: as trilhas do segundo dia de SPFW

11/06/2010

por | Cultura Pop

Cori - SPFW Verao 2011Modelo na passarela da Cori; trilha foi assinada por Hisato Tanaka © Agência Fotosite

Ouça abaixo, na íntegra, as trilhas completas no segundo dia da 29ª edição do SPFW.

Iódice – Eletrônico oitentista: essa foi a escolha de Zé Pedro para a mulher performática da Iódice, com poucos vocais e muito ritmo.

Ellus – Assinada por Max Blum, foi enérgica e etérea; com “10 Mile Stereo”, da banda americana Beach House, a trilha sonora atingiu seu momento de clímax.

Água De Coco - Falando de brasilidade em sua coleção de Verão 2011, a marca assinada por Liana Thomaz contou com o DJ Zé Pedro, especialista quando o assunto é MPB + Moda.

Alexandre Herchcovitch – O compositor e pioneiro da eletrônica francês Jean-Michel Jarre foi o escolhido por Max Blum e Maurício Iânes para a trilha, climática, constante e instrumental.

Cori - Com introdução naturalista e fim oitentista, o DJ Hisato Tanaka assinou a triha da Cori, que desfile no SPFW sob direção criativa de Gisele Nasser Andrea Ribeiro.

Osklen - Totalmente instrumental (e introspectiva), a trilha foi assinada, como de costume, pela agência carioca MangaJingle.

Triton - Com Paris Hilton no casting e o DJ Max Blum nas “pickups”, a Triton usou as goodvibes do músico islandês Jónsi e seu último disco, “Go”, para aquecer a passarela no começo da apresentação. Funcionou.

1970s, electro e batidão: as trilhas do primeiro dia de SPFW

10/06/2010

por | Cultura Pop

_DSC1897 © Agência Fotosite

No primeiro dia de SPFW, as trilhas sonoras dos desfiles foram do batidão da Cia. Marítima, passando pelo eletrônico tocado ao vivo do Stop Play Moon na Rosa Chá, com momentos contemplativos na Erika Ikezili e rock’ n roll na Reserva. E só aqui no FFW você ouve todos os áudios, na íntegra.

Aperte o play e ouça!

Tufi Duek – Remixada por Stuart Price, (um dos top colaboradores de Madonna), a trilha tinha trechos de Baba O’ Riley do “The Who” e foi assinada pela equipe da marca.

Erika Ikezili - Assinada por Jackson Araújo, tinha clima atmosférico com trechos recortados de músicas da banda “These New Puritans” e final contemplativo com “Ripple Of The Water”, do músico bahiano Lucas Santtana.

Priscila Darolt – O DJ Hugo Frasa criou a trilha da coleção inspirada em art decó – mas errou o tom. A faixa, lúdica e repetitiva, acabou brigando com a imagem do desfile.

Rosa Chá - Trilha ao vivo tocada pela banda Stop Play Moon, de Geanine Marques, Paulo Bega e Ricardo Athayde. Fina, elegante e sincera.

Reserva - Mais uma vez Jackson Araújo, com rock agressivo, masculino e totalmente 1970s.

Cia Marítima - Assinada por Rosana Rodini, o batidão foi mais que apropriado para o bate-cabelo das modelos na passarela.

Top 5 momentos music @ SPFW

22/01/2010

por | Cultura Pop

Quando o assunto é música, teve de tudo um pouco (e um pouco de tudo) nesta 28ª edição do SPFW. Rock, pop, metal, hip-hop e MPB e até tecnobrega. Confira abaixo o top 5 de trilhas do maior evento de moda da América Latina.

_CVA1212Menção honrosa: Fause Haten tocou ao vivo no seu próprio desfile, da marca FH © Gabriel Marchi/FFW

Alexandre Herchcovitch Feminino – Composta por Max Blum, a trilha é uma mixagem da frenética “Midnight Directives“,  da banda-de-um-homem-só Final Fantasy, aka Owen Pallet. Intenso e maximalista, a canção deu ainda mais força à coleção apresentada.

Huis Clos – Para uma coleção que remetia às lembranças e memórias, o DJ Max Blum mixou brilhantemente vocais, cordas e o folk de Nico Muhly, com “Two Sisters”.

Do Estilista – Em uma brilhante mixagem da mesma música, o músico Paulo Bega deu voz ao desfile com “What’s A Girl To Do”, do Bat For Lashes. Climático e com tom de melancolia.

Jefferson Kulig – Com o DJ Horácio nas pick ups, a trilha foi clássica. Orquestras de cordas deram o tom ao desfile que falava sobre todas as mulheres do mundo.

Alexandre Herchcovitch Masculino – Com um remix pesado de “One Hundred Years”, do The Cure, Max Blum deu o tom mórbido e pesado para a melhor coleção da temporada.

Ouça as trilhas do último dia de SPFW

22/01/2010

por | Cultura Pop, Moda

Cada um no seu quadrado: se cada estilista tem uma identidade própria, cada trilha tem uma sonoridade única. No último dia do SPFW, as canções, mixagens e artistas foram tão diversas quanto as imagens de cada marca. Ouça os áudios completos abaixo:

IMG_4168Luciana Curtis no desfile Do estilista; composta por Paulo Bega, trilha deu tom à coleção soturna de Marcelo Sommer © Agência Fotosite

Isabela Capeto – Totalmente instrumental, a trilha composta por Dany Roland era contida e minimalista, para uma coleção inspirada num tema bastante subjetivo: filtros.

Carlota Joakina – Johnny Luxo, sempre fervido, trouxe uma trilha meio pop, meio experimental com “Jungle Drum” de Emiliana Torrini.

Reserva – Com “A melhor banda de todos os tempos da última semana”, a Reserva desfilou com trilha composta por Jackson Araújo. Ainda rolou a surf music brazuca com “Mintchura”, de Neuzinha Brizola.


Do Estilista
– Em uma brilhante mixagem da mesma música, o músico Paulo Bega deu voz ao desfile com “What’s A Girl To Do”, do Bat For Lashes. Climático e com um tom de melancolia.

André Lima – Com o DJ Zé Pedro nas pickups, o desfile do estilista paraense trouxe ao SPFW o som do tecnobrega, que mistura forró e eletrônico. Teve “Womanizer”, “PokerFace” e outros hits do pop com tempero nacional – Ouça abaixo:

Rock pesado e música clássica: as trilhas sonoras do SPFW

22/01/2010

por | Cultura Pop

O penúltimo dia do SPFW foi de rock and roll e música clássica. De Black Sabbath a uma versão pesada do The Cure, passando por orquestras delicadas nos desfiles de Lino Villaventura e Jefferson Kulig.

Ouça:

Jefferson Kulig - SPFW Inverno 2010

Alexandre Herchcovitch – Com um remix pesado de “One Hundred Years”, do The Cure, Max Blum deu o tom mórbido e pesado para a melhor coleção da temporada.

Jefferson Kulig – Com o DJ Horácio nas pick ups, a trilha foi clássica. Orquestras de cordas deram o tom ao desfile que falava sobre todas as mulheres do mundo.

Neon – Animais na passarela e metal na caixa de som: Boris Fratogianni mixou Black Sabbath (com “N.I.B”) e Cream (com “I Feel Free”).

Wilson Ranieri - Composta por Andrea Gram,  o desfile teve um rock que viajou do leve ao pesado.

Lino Villaventura – Num clima de valsa e de música clássica, a trilha da coleção de Inverno 2010 de Lino foi composta por Felipe Venâncio.

Futurismo, passado e linguagens: ouça as trilhas do SPFW

21/01/2010

por | Cultura Pop

Desfiles de inspirações variadas e trilhas competentes. O quarto dia de SPFW contou com folk, rock pesado, hip-hop e brit-pop. Ouça na sequência:

_CVA6143Fila final no desfile da Huis Clos: trilha assinada por Max Blum teve mixagem lúdica © Agência Fotosite

Gloria Coelho – Editada por Giancarlo Lorenci, com um clima futurista-espacial, a trilha teve Lindstrom, com “Breakfast in Heaven” (Diskjokke remix); Chikinki, com “Assassinator 13″ (Ruede Hagelstein Remix); Diskjokke, com “Gadgets”; Joakim, com “Love & Romance & A Special Person”; e  Space Sounds, com “Hypnorder DJ Mix”.

Erika Ikezili – Inspirada em instalações, sombras e linguagens, a coleção de Erika Ikezili teve trilha assinada por Edu Corelli com uma versão de “Can’t You see”, do grupo Poison.

Amapô – Inspirada na liberdade dos mendigos, a Amapô teve trilha intensa: Beastie Boys, com “Sabotage” e Rage Against The Machine com “Killing In The Name”. Assinada por Edu Corelli.

Huis Clos – Para uma coleção que remetia às lembranças e memórias, o DJ Max Blum mixou brilhantemente vocais, cordas e o folk de Nico Muhly, com “Two Sisters”.

2nd Floor – Inspirada em detetives, a trilha comandada por Dustan Gallas foi inteira com a banda inglesa Supertramp. Na ordem, “Take a Long Way Home”, “Breakfast In America” e “Goodbye Stranger”.

Animale - Com trilha de Hugo Frasa, o desfile teve casting poderoso (Isabeli Fontana, Raquel Zimmermann) e trilha que acompanha. Ouça abaixo: